The EU is taking steps to increase the number of TV and radio programmes available online for European consumers. The Council today adopted a directive which will facilitate the licensing of copyright-protected material contained in such programmes so that they can be made available throughout the EU.
In December 2018, the co-legislators reached an agreement on a European Commission proposal for facilitating the cross-border provision of online TV and radio content. The co-legislators agreed to extend the ‘country of origin’ principle to a limited set of online services, and to facilitate the licensing of retransmission services over the internet under certain conditions. Furthermore, at the request of the European Parliament, the compromise text contains new rules on ‘direct injection’, a process used increasingly by broadcasters to transmit their programmes to the public. The compromise also includes a change of the instrument from a regulation into a directive in order to leave flexibility to the Member States to implement the new rules on ‘direct injection’. The Member States’ negotiators and the Legal Affairs Committee (JURI) endorsed the political agreement in January 2019. The compromise text must now gain the approval of the European Parliament during the March II plenary session.
The EU is amending its copyright legal framework to make it fit-for-purpose in today’s digital environment. Representatives of the Romanian presidency of the Council today reached a provisional agreement with the European Parliament on a draft directive that introduces changes to existing EU copyright rules as part of creating a true EU digital single market. The agreement will now be submitted for confirmation by member states at the Council
This report studies the role of territoriality in film financing, the legal and market challenges territoriality faces as a key model for film financing and the consequences if EU policies were to reduce or mitigate the scope of territorial exclusivity in the audiovisual sector. It provides information on Member States’ and EU models of film financing, explores the challenges film financing faces from digital developments and evolving consumer behaviour and analyses possible alternatives to traditional methods of financing and policies to support this.